" Created in 1893, this 100% cotton bristol is an industry standard "

SURFACES: Medium (Vellum)              -                  Ultra-Smooth (Plate)               -               Slightly Textured (Semi-Smooth)


​MEDIA APPLICATIONS:
Plate surface: technical pen, pen & ink, marker, airbrush, mechanical pencils
Vellum surface: graphite pencil, coloured pencil, charcoal, sketching stick, pen & ink, marker, soft pastel, mixed media, oil
pastel, light wash and collage
Slightly textured surface: pen and ink, pencil, specialty pens and markers

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GSM: ​2, 3 & 4 ply

ARCHIVAL: YES

ACID FREE:  YES

LIGHTFAST: YES

 costs: RRP From:           £2.32 (full sheet)

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Plate surface

Sizes/formats Available:
Single sheets
23" x 29"   2-ply
23" x 29"   3-ply 
23" x 29"   4-ply
30" x 40"    2-ply
30" x 40"    3-ply
30" x 40"    4-ply

Pads
Available sizes:
11" x 14"   2-ply      (15 sheets)
​14" x 17"  2-ply      (15 sheets)

​Colour Tones:
White

Vellum surface

Magnified images of each paper allowing you to see the difference between each.

Plate Surface - Smooth

Plate surface has an ultra-smooth finish that is unsurpassed for detailed work with technical pen, airbrush, mechanical pencils, pen & ink and marker.
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Bristol ultra smooth is ideal for Graphite as it allows you to blend smoothly and as it is available in 3 weights with the thickest being 520gsm, it is ideal for artists who like to layer extensively.

Vellum surface - Textured

Vellum surface has a toothy finish that is excellent for graphite pencil, coloured pencil, charcoal, sketching stick, pen & ink, marker, soft pastel and oil pastel as well as pen, airbrush, light wash and mixed media. 

Bristol Vellum is, in my opinion, the best choice out of the two for coloured pencil portraits. A paper with a tooth, helps grab pigment far better than a smooth paper. I also found that pigments look more vibrant than on the smooth paper.

​Weights of paper

​A 2-ply Bristol paper refers to two sheets of drawing paper that have been pasted together. A 3-ply refers to 3 sheets pasted together, and a 4-ply refers to 4 sheets pasted together. The more plies, the thicker the board will be. ​Our 500 Series Bristol paper is made from our 100% cotton 500 Series Drawing paper which has a weight of 106lb. (125gsm). Once the drawing paper is pasted together to form bristol sheets, we can determine approximate weights by doubling, tripling or quadrupling the weight of the drawing sheet depending on how many plies are pasted. These weights are approximate because there is glue used in the pasting process that will add a small amount of weight to the overall board.

• 500 Series Bristol 2-ply ≈ 215 lb. (260 g/m2)
• 500 Series Bristol 3-ply ≈ 325 lb. (390 g/m2)
• 500 Series Bristol 4-ply ≈ 430 lb. (520 g/m2)

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Other related articles that may be of interest

Sharpeners & how they can help your technique

Royal Talens Ecoline Brush pens

Working with Textured paper - Hints & Tips

Layering & Erasing with Graphite pencils - Tutorial

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​"For graphite drawing I use smooth bristol. This comes in many brands, surfaces, and sizes. It can be found in pads and single sheets. I think I’ve tried them all ... for my high quality, professional work I use what I think is the Cadillac of bristol. It’s the 500 series, 4-ply (520gsm), 100% cotton, smooth bristol by Strathmore. It’s sold in large, single sheets. It’s a little pricey due to the cotton and the thickness, but it’s worth the cost. It produces a very smooth blend, and it won’t deteriorate or yellow with time"

Lee Hammond