A while back I purchased a couple of sheets of the latest Colourfix paper. It is a smoother version of the standard paper that was launched by Art Spectrum in 2017 Available colours are the same as the standard Colourfix options which you can view HERE Art Spectrum® Colourfix™ Smooth is manufactured by screen printing Colourfix™ Smooth Primer onto European Archival 300gsm Hot Pressed watercolour paper making 340gsm pastel paper. Comparison between the standard Colourfix paper and the smooth version Below is a magnified image of the Colourfix standard paper versus the smooth surface. As you can see, the standard surface appears quite gritty next to the smooth surface. You can see how the smooth compares to the very popular Pastelmat paper below. How does the Colourfix smooth compare to Pastelmat?Here is a magnified image of the Colourfix smooth and Clairfontaine Pastelmat paper comparison. They look and feel exactly the same and I suspect Art Spectrum brought out the Colourfix smooth paper in competition with Pastelmat, knowing how popular the paper is. Violet flower on Colourfix smooth paperHaving completed a soft pastel drawing on this paper, it reminded me of the popular Pastelmat paper. Pastels go on smoothly and is easy to blend on. As I blend by overlaying pastels rather than using my fingers or tools, this paper makes it easier to do this because of its smoothness, not as easy on the original surface which has more of a tooth. This paper is great for those just starting out with pastels and is suitable for other mediums such as pencils and acrylic paints. The latest tutorial available on our website, created for inclusion in our autumn newsletter 2020, shows you how to create a Violet flower on the Colourfix smooth paper. Using soft pastels on the Leaf Green Dark tone (you can use any colour surface) we break down the process of base application with pastel blocks to creating the fine details using the PITT pastel pencils (you can use your own pastel range) **NEW** COLOURFIX™ OPTIMUM BOARD |
Loxley spray fixative 200ml is a high quality, colourless, non-yellowing protection medium with UV Filter and is CFC free. It protects artwork from atmosphere damage caused by moisture and the suns UV rays as well as preventing smudging and is recommended particularly for use on charcoal, pencil, pastel, crayon, chalk drawings and paintings. This is available in two sizes: 200ml and 400ml. |
I have used this product for many years to help seal my graphite and coloured pencil drawings as well as my pastel portraits too. I have tried some other fixatives, but I personally like this one due to the fact that it also includes a UV filter, which offers extra protection. Some fixative nozzles can become blocked which is when spitting happens and this can leave marks on your drawing, particularly noticeable if you use it for your pastel paintings. I have never had that problem with the Loxley one.
When working on my coloured pencil portraits, I sometimes apply a fixative between the layers which helps to extend the working surface and minimise saturation if I have applied a large amount of layers to a particular piece. As the fixative secures previous layers, ensure you have finished blending as you may not be able to do this after sealing it with fixative. In the video above, you can see the Loxley fixative appear in the video showing you where I apply a spray of fixative. There are around 8 or 9 layers on this area alone and as I need to apply highlights to the dark fur, the fixative allows me to do this without muddying the colours. I can then continue with more layers. Once the portrait is complete, I treat it with two layers over the whole of the portrait to minimise smudging and to offer extra protection to the framed portrait, particularly as many people do not choose a UV or museum glass when framing.
If you work with pastels, you may wonder if you should use a fixative on your drawings. Take a look at the comparison photos below and see what may happen if you do. The one on the left is before applying fixative and the one on the right is after. See how the fixative has darkened the colours, creating a more translucent finish. The fixative has dampened the pastel application, causing the darkening of the pastels. This may depend on the pastels you use though as higher quality pastels may not react in the same way as cheaper brand ones due to their being more pigment in them. Many papers, particularly textured ones, do not require a fixative as they hold the pastel well with minimal pastel drop. At the end of the day, the final decision is yours alone.
When spraying, hold the can about 12" away from your upright drawing and spray evenly from top to bottom. It has also been suggested to me that you can turn your drawing 45 degrees and respray, so you are applying a balanced amount over the whole of your drawing. Spray too close and you may create speckling from the aerosol.
Never use hairspray as a fixative. Manufacturers of hairspray make this product for use on hair, not artwork. As hairspray is not acid-free, should you spray it over your artwork, it could cause it to yellow over time. The acid in the hairspray can cause discolouration of the pigment and may also make the paper brittle too. If you have ever used hairspray, you'll note that some can leave a tacky residue behind, not good for your work. It really is better to buy a fixative made for art, which will help protect your work properly for many years.
If you wish to see the final portrait of the Boxer dog being created in the video above, click this link
Author
Karen M Berisford
Archives
March 2025
February 2025
February 2024
August 2023
May 2023
March 2023
February 2023
October 2022
May 2022
March 2022
July 2021
December 2020
November 2020
July 2020
Categories
All
Accessories For Artists
Acid Free Black Paper
Acid Free Paper
Acid-free Paper
Acid Free V Archival
Acid-free V Archival
Acrylic Panel Board
Acrylic Varnishes
Alkaline Paper
Aqua Stonehenge
Archival Acid Free
Archival Acid-free
Archival Black Artist Paper
Archival Paper
Archivists
Arm Rest
Arm Support
Art Education
Articles On Art
Artist Essentials
Artist Light
Artists Easel
Art Lighting
Art Materials
Art Product Recommendations
Art Spectrum
Art Spectrum Colourfix Smooth
Art Studio Light
Art Tips
Art Tutorials
Arty Articles
Battery Powered Eraser
Black Art Paper
Black Art Papers
Blenders
Blending Soft Pastels
Blending Sponges
Blending Stumps
Blending Tools For Graphite Art
Blending Tools For Soft Pastels
Blue Wool Papers
Bockingford Tinted Watercolour Paper
Buffers
Canson Mi-tientes
Canson Mi-tientes Touch
Caran D'Ache
Caran Dache Luminance Pencils
Caran D'Ache NeoArt Wax Oil Pastels
Carbon Pencil
Carbon Pencils Help
Carbon Versus Charcoal
Chaffinch Drawing
Chromaflow Pencils
Clairfontaine Pastelmat
Cold-Pressed Paper Texture
Colored Pencils
Coloured Pencil Accessories
Coloured Pencil Article
Coloured Pencil Artists
Coloured Pencils
Coloured Pencil Tutor
Colourfix Black
Colourfix Paper Review
Colourfix Smooth Black
Colour Shapers
Commission Art
Commission Art Business
D33200
D33500
Daylight Company
Derwent
Derwent Black Mixed Media Paper
Derwent Chromaflow
Derwent Coloured Pencils
Derwent Drawing
Derwent Graphic Pencils
Derwent Graphite Pencils
Derwent Lightfast
Derwent Onyx
Derwent Onyx Pencils
Derwent Pencils
Discontinued Product
Drawing Paper
Dust Free Eraser
Embossing Tools
Environmental Paper
Erasing Carbon Pencils
Erasing Shield/stencil
Ergonomic
Ergonomic Arm Rest
Faber Castell Graphite 9000
Faber Castell Pastel Pencils
Fabriano Tiziano
Fixative Spray
Free Art Tutorials
Frisk Black Watercolour Paper
Frisk Paper
Gallery Oil Pastels
Gelly Roll Pens
Gesso
Gesso Panel
GOLDEN
Golden Polymer Varnishes
Golden Varnishes
Golden Waterborne Varnish
Graphite Artist Help
Graphite Pencil Accessories
Graphite Pencil Help
Graphite Pencils
Graphite Pencils Article
Graphite Pencil Tips
Hahnemuhle Velour
HAIYA
HAIYA Oil Pastels
Hints And Tips
How To Blend Soft Pastels
Indenting Tool
Inscribe Pastels
Jackson's Art
Jackson's Art Gesso Panel
Karen M Berisford Art Articles
Kneadable Putty Rubber
Ko-fi
Learn How To Draw With Graphite Pencils
Learn How To Draw With Pastels
LED Lights
Legion Aqua Stonehenge
Legion Stonehenge
Light For Craft Art
Loxley
Loxley Fixative
Lumi Light
Luminance Pencils
Luminance Portrait Colours
Mars Black Pencil
Mars Lumograph Black
Mi Tientes Black Pastel Paper
Mi-tientes Touch Black Paper
Mixed Media Paper Options
Mono Zero Erasers
NeoArt Wax Oil Pastels
Oil Panel Board
Oil Pastel Art
Oil Pastels
Panel Board For Painters
Pan Pastels
Paper For Acrylics
Paper For Coloured Pencils
Paper For Pastels
Paper Quality
Paper Stumps
Pastel Applicators
Pastel Articles
Pastel Blending
Pastelmat
Pastel Surfaces
Paul Rubens
Paul Rubens Oil Pastels
PDF Art Tutorials
Pencils For Beginners
Perfection Eraser Pencil
Pitt Pastels
Polymer Varnish Discontinued
Poppy Field Tutorial
Portrait Pencil Palette
Prismacolor Premier
Royal Talens Sakura Notebook
Sakura Notebook Black Sheets
Sennelier
Sennelier Oil Pastels
Soft Pastel Articles
Soft Pastel Help
Soft Pastels Articles
Soft Pastels Tutorial
Staedtler
Staedtler Lumograph
Staedtler Mars
Starting Your Own Art Business
St Cuthbert's Mill Bockingford
St Cuthbert's Mill Somerset
Stonehenge Black
Student Quality
Studio Lighting
Studio Practices
Tinted Bockingford NOT Paper
Tinted Watercolour Paper Review
Tiziano Black Pastel Paper
Tortillions
Uncradled Gesso Panel
Uneeda UArt Paper
Ursus
Vegan-Friendly Art Supplies
Watercolour Paper
YouTube Channel
Zest-it Pencil Blending