Our newsletter has dropped and we have three new articles now available. We like to cover a wide range of mediums and products in each article, so in this newsletter, we explore the Chromaflow coloured pencil range, the latest pencil produced by Derwent. Do we have a UK Prismacolor Premier pencil finally? Our second article covers the creamy oil pastels by Sennelier. Even if you don't work with oil pastels, you may find this article interesting, and you may even decide to try them yourself. Finally, we have the latest tutorial for soft pastel artists. If you haven't tried soft pastels before, we highly recommend you give this tutorial a go. It's so easy and you don't need any previous experience to make a brilliant piece of art. Click on any of the images below to visit the article and have a read. Why not grab a coffee, as we do throw lots of information into our articles, so we hope you enjoy them! Derwents' new coloured pencil rangeThe Chromaflow pencil was released in June of 2021, initially in the USA and India and then the UK and the rest of the world, the following year. Derwent is a company, that has produced quality products for over a century and a half, so we would expect this new range to meet all the usual standards, but do they? In this article, we analyse the quality and application of the pencils. Did we find the same quality that we have come to expect from Derwent? We provide information from our own research, as well as reviews by other artists', found online. See how they compare to other brands, in particular with the highly popular Prismacolor Premier pencil, but with Derwents' other lines too. Sennelier collaborated with Picasso to create this lightfast oil pastel rangeThe Sennelier (pronounced Sen-el-EE-A) oil pastel is creamy, with an extraordinarily high pigment content, providing vivid colour and excellent covering potential and brilliance, with a high degree of light stability. Oil pastels are comprised of pigment in a non-drying binder of oil and wax, which is formed into a compact stick. Like soft (dry) pastels, alternative brands offer diverse combinations of binder, oil and wax, which make them soft or hard. The Sennelier Oil Pastels use the same high quality pigments and high pigment loads as their other lines, combined with a pure, synthetic binding medium and mineral wax. In this article, we explore the possibilities of this compelling brand and the rich history of the company. We discuss best practices, delve into lightfast properties and provide recommendations on effective accessories. Finally, we share the feedback of other users and our own thoughts on this product. Even if you have never used oil pastels before, this article may inspire you to give them a go. New tutorial - Poppy field on black base for soft pastel artistsThis is a tutorial created for the soft pastel artist. You may be a complete novice, unsure where to begin on your journey, or an intermediate looking for more knowledge. Pastels are a quick and easy medium, making them ideal for the absolute beginner. We provide a simple breakdown of how to create an eye catching landscape of these sun-kissed poppies. We show you how to build the foundations and offer practical techniques. By providing images and descriptions, we offer an easy to follow guide for every artist. You may just wish to pass the time with a box of pastel and a cuppa, simply because you like the composition. Wherever you are in the process, we encourage you to embellish as much as you want, or keep it as simple as we have. Why not give it a go?
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Our newsletter has dropped and we have four new articles, including a brand new medium for our mini tutorials section, the oil pastel. If you haven't tried oil pastels, we would highly recommend you give them a go. Our new tutorial only takes 10 minutes to create a highly effective piece of work, and maybe you will fall in love with the medium too? We certainly love them! We like to cover a different medium or product, in each article, so this quarter, we provide a list of blending tools for soft pastel artists, a selection of black papers for artists who enjoy working on a dark surface. We have chosen various surfaces and brands, suitable for numerous mediums, not just pencils. Finally, we have updated the Prismacolor pencil artist. We really delved deep into the history of these pencils and believe us, these pencils have a great history. They span over a hundred years! We also discuss what these pencils can achieve, as we are aware that they are a favourite of many coloured pencil artists. Click on any of the images below to visit the article and have a read. Why not grab a coffee, as we do throw lots of information into our articles, so we hope you enjoy them. About the Prismacolor pencil |
My partner John Graham photographed this Hare back in October 2019. It was very inquisitive. Whilst John sat motionless on the ground; the Hare came closer, allowing him to capture this image and the second one below. This high definition photo can be used as a reference during the construction of your drawing. |
If you haven't read this magazine before, you may find it a valuable resource as not only does it provide plenty of data on coloured pencils, it occasionally covers other mediums like pastel pencils and marker pens. There is an abundance of articles offering hints and tips, tutorials like this Hare above, regular competitions, a peek into the lives and studios of other artists and even guidance on the art business. They also have Facebook, Twitter and Instagram pages too so you can get involved in those competitions wherever you are in the world - I even had a go myself a few years ago!
Loxley spray fixative 200ml is a high quality, colourless, non-yellowing protection medium with UV Filter and is CFC free. It protects artwork from atmosphere damage caused by moisture and the suns UV rays as well as preventing smudging and is recommended particularly for use on charcoal, pencil, pastel, crayon, chalk drawings and paintings. This is available in two sizes: 200ml and 400ml. |
I have used this product for many years to help seal my graphite and coloured pencil drawings as well as my pastel portraits too. I have tried some other fixatives, but I personally like this one due to the fact that it also includes a UV filter, which offers extra protection. Some fixative nozzles can become blocked which is when spitting happens and this can leave marks on your drawing, particularly noticeable if you use it for your pastel paintings. I have never had that problem with the Loxley one.
When working on my coloured pencil portraits, I sometimes apply a fixative between the layers which helps to extend the working surface and minimise saturation if I have applied a large amount of layers to a particular piece. As the fixative secures previous layers, ensure you have finished blending as you may not be able to do this after sealing it with fixative. In the video above, you can see the Loxley fixative appear in the video showing you where I apply a spray of fixative. There are around 8 or 9 layers on this area alone and as I need to apply highlights to the dark fur, the fixative allows me to do this without muddying the colours. I can then continue with more layers. Once the portrait is complete, I treat it with two layers over the whole of the portrait to minimise smudging and to offer extra protection to the framed portrait, particularly as many people do not choose a UV or museum glass when framing.
If you work with pastels, you may wonder if you should use a fixative on your drawings. Take a look at the comparison photos below and see what may happen if you do. The one on the left is before applying fixative and the one on the right is after. See how the fixative has darkened the colours, creating a more translucent finish. The fixative has dampened the pastel application, causing the darkening of the pastels. This may depend on the pastels you use though as higher quality pastels may not react in the same way as cheaper brand ones due to their being more pigment in them. Many papers, particularly textured ones, do not require a fixative as they hold the pastel well with minimal pastel drop. At the end of the day, the final decision is yours alone.
When spraying, hold the can about 12" away from your upright drawing and spray evenly from top to bottom. It has also been suggested to me that you can turn your drawing 45 degrees and respray, so you are applying a balanced amount over the whole of your drawing. Spray too close and you may create speckling from the aerosol.
Never use hairspray as a fixative. Manufacturers of hairspray make this product for use on hair, not artwork. As hairspray is not acid-free, should you spray it over your artwork, it could cause it to yellow over time. The acid in the hairspray can cause discolouration of the pigment and may also make the paper brittle too. If you have ever used hairspray, you'll note that some can leave a tacky residue behind, not good for your work. It really is better to buy a fixative made for art, which will help protect your work properly for many years.
If you wish to see the final portrait of the Boxer dog being created in the video above, click this link
These pencils have been available to 'pre-order' for a while, but online stores, are now receiving stock and getting them sent out to everyone. My set appeared on Saturday morning (18.07.20) and I have to admit to being very excited upon opening the box.
You can view our Luminance article by clicking the link below.
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Karen M Berisford
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