1. Sponges Sponges are the most widely used tool for mixing soft pastels. These come in different shapes and sizes. Many art companies and stores sell them specifically for the artists, but you can just as easily use make-up sponges from the local health and beauty store. How to Apply: Apply 2-3 shades of pastel to the paper prior to mixing.  To ensure a smooth coverage, mix with circular movements.  Around small zones, use the wedge or the tip of the sponge. Good: Washable, providing longevity Bad: May tear when used on highly abrasive paper

2. Blending stumps/ Tortillions Blending stumps and tortillions are made from tightly packed paper, rolled into a pencil shaped tool. The fine tips allow you to blend very small areas or push the pastel around to create or smooth out thin lines. How to apply: To create smooth mixes, blend in circular motions with the tip or side of the stump. Use excess pastel on the tip to introduce extra pigment to another area of your paper. Good: Low cost, can be 'sharpened' to remove the dirt Bad: Quickly dirtied, Short life span, easily ripped and torn

3. Pan Pastel Softt tools Sofft tools are made from a specially formulated micropore sponge. Each has a unique shape and size, useful for application and blending your pastels. Replacement sponges are available for each tool, which are re-usable and easy to clean. How to apply: Rub the sponge across the pastel and apply to your paper. Can then be blended Good: Re-usable. Economical. Easy to clean. Bad: You will need to clean or change your sponge when moving between dark to light grades, to avoid muddying your colours.

4. Colour shapers Colour Shapers are a unique tipped tool made from silicone and used for pastel blending, but can be used with other mediums too. The tip will not absorb any material, and so is great for applying, removing, scraping and moving around colour. The durable tips are made of an advanced rubber composite. The tool can help you blend pastels or push it round the paper to create texture. For best results, search for the softer tips when blending soft pastels, as it may lift your pastels from the paper if they are too hard. Blue and ivory coloured tips are softer and more suited to blending pencil, pastel & charcoal. Darker colours are much firmer and suited to other mediums such as clay. How to apply: Ensure you have enough pigment on your paper before choosing the tool of choice and then gently blend the pigments together.  Good: Long life, easy to clean. Easy to hold Bad: May not be ideal on highly abrasive paper

5. Pastel applicators Sponge wands like these are useful for blending small areas of pastel. You may find packs specifically made for this technique called 'Sofft Mini sponge applicators' from the Pan Pastel company, but general art stores may sell them too. As an inexpensive replacement, you can purchase a pack of eyeshadow wands from your local health and beauty store, but the sponge will unlikely be of the same quality and may tear easily, but may be worth a try. How to Apply: Add 2-3 shades of pastel to the paper prior to mixing.  To ensure a smooth coverage, mix using circular motions.  Good: Economical. Precise application.  Bad: May be hard to hold, especially for those who have issues with their hands. Only suitable for blending small areas.

6. Colourless blender The PanPastel Colourless Blender is a medium that can be used for a variety of new effects, including increasing transparency and enhancing colour “flow”. It does not change the colour of the pigments, it just allows you to soften the flow of the application or create a more transparent mix.  How to apply: It can be used before colour is applied (under the colour), or mixed with the colour once it is applied. " Good: Easy to mix, non-crumbly. Low dust and less waste. ​Bad: To be updated

7. Brushes Using a short flat brush to blend your pastels will create soft edges with more precision. As the bristles are short, they tend to be sturdier and will allow more control. Select the correct brush size for each area, but ensure you clean off excess pastel after use to avoid mixing colours together and muddying them. How to apply: After you have applied your layers, gently brush the pastel outwards to soften, or in a rotational direction to soften hard lines. Good: Firm application. Targeted application. Bad: Abrasive paper may break the hair in the brush.

8. Fingers Many pastel artists will at some point, have used their fingers to blend pastels. This is a quick and easy way to blend larger areas, but not for smaller areas. It is also messy and can muddy colours if you do not remove the previous colours from your fingers. Use a damp cloth to remove pastel from your fingers between colours and always dry your hands with a towel before moving onto mixing the next colours. How to apply: With clean hands, use one or more fingers to mix your colours together. Blend using circular motions to fill in the peaks of the paper and create a smooth looking layer. Good: Cost-free, quick and easy Bad: Messy applications. Abrasive paper can damage your skin.

9. Cotton buds or Q-tips Cotton buds have many uses for an artist and are extremely cheap to buy. The tips can be used to blend small areas of your pastel drawing and are easily disposed of after you have finished with them. How to apply: Blend using circular motions over layers of pigment, to ensure they provide smooth coverage. Good: Low cost and economical. Bad: The plastic ones are not environmentally friendly. Search for the Eco friendly type. The cotton tips may also get stuck on abrasive paper, and may not be ideal for every piece of work you create.

10. Pastel on pastel You don't always need a special tool to blend your pastels, as layering one over the other, can help to blend the pigments together. Highly effective when using softer pastels, but can be achieved with hard pastels too. The effects will vary depending on which paper or surface you use. Smoother surfaces may not blend as effectively as an abrasive one. How to apply: Lay down one colour after the other and push the pastels into the peaks of the paper. Lighter applications will allow for more layers. Good: No extra tools are needed.  ​Bad: May not create an even blend of colour.

What products do you use to blend soft pastels?
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​Do you have other product suggestions we haven't included here?
Please share your own hints and tips with us in the comments section below.

​Art Spectrum® Colourfix™ Smooth is manufactured by screen printing Colourfix™ Smooth Primer onto European Archival 300gsm Hot Pressed watercolour paper making 340gsm pastel paper.
​Colourfix™ Smooth is a versatile surface that can be used for pastels, oil colours, acrylics, inks, oil pastels, gouache, watercolours and dry media such as charcoal and pencils.
The Colourfix™ Smooth texture is ideal for pastel artists who are looking for a not so toothy surface. The surface still has enough soft tooth to enable the artist to do multiple layers of pastel.

Colourfix™ Smooth is available:
Colours: 20 (As the Colourfix standard)
Sheet sizes: 23 x 30cm (9” x 12”) and 50x70cm (20” x 28”) 10 sheets per pack.
Rainbow packs available in 23 x 30cm (9” x 12”)
Cool and Warm packs in 23 x 30cm (9” x 12”) size

Primer You can also purchase Colourfix smooth as a primer which allows you to paint it over any surface and create your art over the top. The primer is available in all colours found in the paper surfaces.

How does the Colourfix smooth compare to Pastelmat?

Violet flower on Colourfix smooth paper

**NEW** COLOURFIX™ OPTIMUM BOARD
ORIGINAL (MEDIUM) TEXTURE

​Art Spectrum® Colourfix™ Optimum Board is a high density archival and acid free foamcore board, hand screen printed with Art Spectrum® Colourfix™ Primer..
The secret that separates this board from all others is a super thin layer of Aluminum within the board that prevents warping and helps provide this substrate’s lightweight and sturdy characteristics.
Colourfix™ Optimum Board has a robust toothy surface that will hold layers of pastel without the need for fixative, allowing the velvet bloom and vibrant colour of pastel to be preserved.
The new Art Spectrum® Colourfix™ Optimum Board comes in 6 lightfast colours all with the Original Colourfix™ tooth. It is a superb substrate for pastels, oil colours, acrylics, inks, oil pastels, gouache, watercolours, and dry media such as charcoal and pencils.
Colourfix™ Optimum Board is available in 16 x 20” and ready to be framed without the need for a backing board.
​
What else you should know about this board:
The substrate board is acid free containing no lignin’s.
The glue used in this product is also acid free.
Aluminum thickness: 6.3μm
Colours available: White, Soft Umber, Terracotta, Rose Grey, Blue Haze and Deep Black.
Also available Rainbow Pack which includes one sheet of each colour

2020 Art Workshops

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Would you like to give oils a try and unsure what you need to get going? This article written by Welsh oil painter Chris Chalk and gives some simple advice to those new to oils.

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