PERSONAL RECOMMENDATION: I have used this product for many years to help seal my graphite and coloured pencil drawings as well as my pastel portraits too. I have tried some other fixatives, but I personally like this one due to the fact that it also includes a UV filter, which offers extra protection. Some fixative nozzles can become blocked which is when spitting happens and this can leave marks on your drawing, particularly noticeable if you use it for your pastel paintings. I have never had that problem with the Loxley one. USING IT ON MY OWN DRAWINGS When working on my coloured pencil portraits, I sometimes apply a fixative between the layers which helps to extend the working surface and minimise saturation if I have applied a large amount of layers to a particular piece. As the fixative secures previous layers, ensure you have finished blending as you may not be able to do this after sealing it with fixative. In the video above, you can see the Loxley fixative appear in the video showing you where I apply a spray of fixative. There are around 8 or 9 layers on this area alone and as I need to apply highlights to the dark fur, the fixative allows me to do this without muddying the colours. I can then continue with more layers. Once the portrait is complete, I treat it with two layers over the whole of the portrait to minimise smudging and to offer extra protection to the framed portrait, particularly as many people do not choose a UV or museum glass when framing. USING IT ON PASTEL ART If you work with pastels, you may wonder if you should use a fixative on your drawings. Take a look at the comparison photos below and see what may happen if you do. The one on the left is before applying fixative and the one on the right is after. See how the fixative has darkened the colours, creating a more translucent finish. The fixative has dampened the pastel application, causing the darkening of the pastels. This may depend on the pastels you use though as higher quality pastels may not react in the same way as cheaper brand ones due to their being more pigment in them. Many papers, particularly textured ones, do not require a fixative as they hold the pastel well with minimal pastel drop. At the end of the day, the final decision is yours alone. DIRECTIONS FOR USE: When spraying, hold the can about 12" away from your upright drawing and spray evenly from top to bottom. It has also been suggested to me that you can turn your drawing 45 degrees and respray, so you are applying a balanced amount over the whole of your drawing. Spray too close and you may create speckling from the aerosol. WHAT ABOUT USING HAIRSPRAY AS A CHEAP ALTERNATIVE TO FIXATIVE?
Never use hairspray as a fixative. Manufacturers of hairspray make this product for use on hair, not artwork. As hairspray is not acid-free, should you spray it over your artwork, it could cause it to yellow over time. The acid in the hairspray can cause discolouration of the pigment and may also make the paper brittle too. If you have ever used hairspray, you'll note that some can leave a tacky residue behind, not good for your work. It really is better to buy a fixative made for art, which will help protect your work properly for many years. If you wish to see the final portrait of the Boxer dog being created in the video above, click this link
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For anyone who uses the Caran d'Ache Luminance pencils, the company has released 24 new colours! You can buy individual pencils or purchase 20 of the colours in a box set called the 'Portrait assortment' These pencils have been available to 'pre-order' for a while, but online stores, are now receiving stock and getting them sent out to everyone. My set appeared on Saturday morning (18.07.20) and I have to admit to being very excited upon opening the box. For me, the Luminance pencils are THE best pencils I have used and I really appreciate that Caran d'Ache have extended the colour palette from 76 to 100. I suspect this was a reaction to Derwent releasing their first, fully lightfast pencil range last summer, which had 100 colours. For anyone interested, I have both ranges. The Luminance pencils are my regular 'go to' pencils as they are a little firmer than the Derwent Lightfast, and I am able to create finer details with them, but both ranges offer different colour palettes and having a larger choice is always a bonus. The two darker tones, Indanthrone Blue and Dark Indigo will make a more natural replacement for the black pencil, but as the majority of my own work includes pets and portraits, having additional browns and pinks added to the palette is excellent. My current favourite colours are Burnt Ochre 10% and Burnt Sienna 10%, which I use on almost every portrait, so the introduction of the Herculanum Red, Violet Pink and Dark Flesh 40% are most welcome! Above are the four new colours not included in the Portrait set. Personally, I think that Caran Dache should have created the Portrait set and include all 24 colours as they are just as important as all the other colours. I also wish they had included an extra grey for the 'eye colour selection', but as I use the greys more than most other colours, I could never have enough choice! Have you got yours yet? Do let me know what your favourite, or most used colours are, and which new colours you are most excited about!
You can view our Luminance article by clicking the link below. 2020 Art WorkshopsI am currently in the process of organising this years art workshops and will be included in the winter newsletter which will be Emailed out to subscribers hopefully by the end of this month. All details will be posted on the step by step art CHESTERFIELD WORKSHOP page once available and added to social media pages for this site & my KMB social media pages too, ensuring a larger audience reach. Every year I choose 3 or 4 subjects for the Coloured pencil & Graphite pencil workshops which include varying techniques and surfaces to previous years, ensuring each workshop is different to another. Coloured pencil workshops using textured paper are somewhat easier for a complete beginner than the workshops working on smooth paper, however every workshop available can be attended by any artist regardless of their calibre, even if they have NEVER drawn anything since their time at school! To find out more about our workshops, click any one of the following links to visit the page of interest: Reviews & TutorialsHere are the latest articles and mini tutorials that can be found on the Step by step art website. Included are a selection of independent reviews on multiple mediums and art products as well as the very latest tutorials - click on any of the images below to visit the page of interest. You can also find lots more reviews on art products on our 'ARTICLES' page with new ones added every 3 - 4 months. Latest product reviews
New Mini Tutorials
You can always request a specific article or mini tutorial and if I am able to provide that information, it could be included in a future article. Please get in touch with your idea at: karenmberisfordart@gmail.com
Finally, you can always SUBSCRIBE to our quarterly newsletter, ensuring you receive the very latest articles, delivered straight to your E-mail. Blueberries Tutorial in the Colored Pencil Magazine - November issue.
Our 4 latest ArticlesThe latest articles are now available to view and you can access them by clicking on any of the images below.
Why not subscribe to our newsletterWhy not join up to our newsletter to receive the latest article news straight to your mail box. Here are three previous newsletter subjects which covers coloured pencils, graphite pencils, acrylics, step by step tutorials, art product recommendations as well as the latest news on my 1 day workshops available to book for those able to come along. Feel free to share this post or leave us a comment, maybe request an article?
Thanks for looking! For anyone wishing to attend one of Karen's Workshops, bookings are now being taken for a 1 Day Coloured pencil Workshop that will be run in Chesterfield, Derbyshire. If you wish to find out more, please click the image below to visit the webpage or get in touch via the MAIL US page. You can also fill in your details to secure your place via the booking form found on the CHESTERFIELD WORKSHOPS page. WORKSHOP COMPLETED |
The SAA contacted me in 2015 asking if I would like to be a contributor to the Q & A section in their quarterly magazine 'PAINT'. Being a Professional Artist (PA) of the SAA, I like to get involved wherever possible and sent through some questions and answers I have been asked often as a coloured pencil artist & art tutor and these have been included in their latest magazine (p.31 for those with their own magazine) It answers the following popular questions:
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- Large online Art store with free delivery for members as well as special offers and loyalty points (Non members can also shop too but without added benefits)
- Video tutorials by numerous pro Artists recorded in the Newark HQ studio.
- SAA Open days at Newark HQ (in Notts) with access to the Art shop
- Quarterly PAINT magazine for all members covering a wide selection of varied Articles on different mediums
- Large online Art Forums
- Regular competitions (including Artist of the Year)
- A huge searchable database for those looking for Art Tutors & Workshops
- Access pages of Original Art for Sale
- Free Reference photographs (free from copyright)
What is important to you when buying a new Art product? This article offers some advantages & disadvantages of the pencils as well as giving lots of information on the lightfastness of the pencils and what this means. It also shows what these pencils are capable of and hopefully offers lots of helpful information and advice which will allow you to decide whether or not to take the plunge. Personally, I would say you can't go wrong with these pencils, but then I'm biased! ;) |
Help and advice is at hand if so....
This article shows the 5 most important factors that I look for when selecting my professional pencil range:
| The 5 'tests' shown in this article includes:
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Any questions, just ask!
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Karen M Berisford
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